Enrico.Ibrahim.Deiana

“The images used are for purely illustrative and decorative purposes. They are not intended to represent factual reality nor to offend the integrity of persons, places or events.” The images are for purely decorative purposes. Spatial concept: “Attese”; Lucio Fontana (1965) Adaptation of a fairy tale by Hans Christian Andersen, rewritten by Enrico Ibrahim Deiana […]

“The images used are for purely illustrative and decorative purposes. They are not intended to represent factual reality nor to offend the integrity of persons, places or events.” Josef Thorak at work on “Denkmal der Arbeit” (Monument to Work), 1938 The objective of the Manifesto is to restore value to the Fine Arts so that

“The images used are for purely illustrative and decorative purposes. They are not intended to represent factual reality nor to offend the integrity of persons, places or events.” Stadium of the Marbles, Foro Mussolini (Italico), Rome (1928-1932) Promoting a restoration of the decision-making power and cultural influence of the Fine Arts (Classical Academic Arts) within

Details of some paintings by Enrico Ibrahim Deiana from the series “Stories of War”: “Portrait of a Girl” and “Life despite destruction”. In the West, we live in a perpetual bubble of sugary molasses, in which pacifism (until it involves the missile “exportation of democracy”), anti-bullying (until it targets children raised with traditional education) and

“The images used are for purely illustrative and decorative purposes. They are not intended to represent factual reality nor to offend the integrity of persons, places or events.” From a painting of Enrico Ibrahim Deiana: “Apocalyse: Self portrait” Let’s imagine being a financial investor who, instead of dealing with traditional investment products in the world

“The images used are for purely illustrative and decorative purposes. They are not intended to represent factual reality nor to offend the integrity of persons, places or events.” Palace of Italian Civilization, Rome (EUR), Italy Can the Fine Arts once again become the guardians of our culture and save the West from disaster? The answer