The foundation of a new art movement
The Manifesto of the Restoration
The time has come to structure with ever-increasing strength an artistic avant-garde in defense against the cultural degeneration caused by the fall of the late-modernist ideology; never before has the need been felt so strongly to revive a valorization of artistic and cultural tradition, rendered pragmatically coherent with the problems to be solved and in favor of the re-civilization and re-education of the masses.
There is now an urgent need to propose more and more artistic-cultural courses and debates that positively promote awareness of the Fine Arts and classicism in all its forms, focusing on the masses and the new generations who have not experienced a voice opposing the currently dominant modern cultural narrative.
The solution is to encourage and accelerate the production of cultural products favorable to the positive Restoration of the West; this means investing in the figurative, performative, and musical arts, philosophy and literature, cinematography, animation, comics, and media products for social media, so that they increasingly convey messages useful for repairing the social fabric, which has been disintegrated due to the opposing influence that has persisted until now.
We need investors and politicians, communication experts, and collaborators driven by their passion for tradition, academicism and the legacy of classical Western cultural heritage, with the aim of promoting it in a professional, fresh and contemporary manner.
By fresh and contemporary vision it is meant that the artistic research of the last century will not be rejected but will be integrated into a “modus cogitandi” suited to recreating the conditions for a revival of the Fine Arts and general traditional culture, while remaining relevant to the present. A bridge to the past will be built, and ties will be re-established with the cultural heritage that has been hindered by the massive sponsorship of modernist ideology, which has caused a progressive decline in Western civilization.
In short: “Stigmatization and ridicule of the toxic elements of modernism, assimilation of its beneficial properties for society, and recovery of the classicism and academicism that have been mocked for over a century and replaced by dilettantish, hideous, and degraded art.”
Support this cause through a donation or by collaborating directly with us, bringing your specific technical expertise, which could accelerate the process of cultural renewal.
If you are a young artist, you can join our courses to create works that will have a strong impact on society when the masses are ready to embrace such messages.
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The Cultural Change Through Art
The goal of the Manifesto is to restore value to the Fine Arts so that they can, as happened in the glorious past, positively influence culture, politics and the collective vision of individuals, allowing society itself to prosper once again, leading us to a great rebirth, to a new Renaissance!
Why through art?
Art is the means of expressing the interiority of the human being and their journey in this earthly existence; it is the interdependent reflection of the human soul, both causal and consequential; manipulating its form and expression therefore alters the individual’s perception of their own reflection and, consequently, their future nature; art is what inspires minds and hearts, it is fundamental for the health and well-being of a society, but if altered in a malevolent way, it is the cause of its downfall.
The Manifesto will bring us awareness of the incredible and effective pervasive capacity of the arts, which, although subtle in their methods and difficult to grasp, are capable of influencing society by even affecting the individual’s perception of reality itself, to the point of changing over time their deeply rooted ethical and moral values, slowly but inexorably overturning as a result the political, cultural and religious power balances of the society exposed to it, in its various forms of dissemination (cinematography, figurative and representational arts, media and cultural content).
Art has two fundamental expressive possibilities, if used in diametrically opposed ways, namely to illuminate with Light or to obscure with darkness, depending on who is using it and for what purposes:
- It can be a fundamental element in preserving our humanity, capable of safeguarding the perception of our very existence and our role on this planet, becoming a bearer of ethical, moral, theological and cultural/nationalistic values; it is a vehicle for rationality, poetry, philosophy, beauty, preservation of collective national and religious identity, transcendental hope and existential optimism.
- It can be (and today mostly is) an element of corruption of our soul and our existential positivity, capable of degenerating ethical, moral and theological values, even if rooted for millennia; it can bring even the most flourishing and healthy societies to collapse and the most insane degeneration, as is happening today in the West; it is used to promote relativism, subjectivism, ugliness elevated to beauty, degeneration elevated to pride, pornography and normalization of prostitution and pedophilia, substance abuse and harmful habits, irresponsible egoism and harmful hedonism, rampant consumerism, violence, despair and depression, negativity and existential nihilism.
The Manifesto intends to involve the seats of Power responsible for culture and the arts and demonstrate to the world the benefits that the arts can have in positively influencing society; the first step is to begin classifying the arts and cultural products as tools capable of implementing “bioengineering of the masses“; the arts can indeed be seen as potential medicines for social well-being and the strengthening of the social fabric, or as potential weapons aimed at the disintegration of society itself.
Its purpose will be to shape the future culture; the first objective will be to free the consciences of individuals chained by the omnipresent Western late-modern ideological visual propaganda; it is an artistic avant-garde with a restorative imprint but tending toward the future, enriched by knowledge from the past but rooted in the present, maintaining freshness, flexibility and open-mindedness to understand daily dilemmas and outline a correct direction for the world to come.
It is an artistic and political movement capable of healing society and bringing it back to the ancient origins before the tragedy of DADA in 1916, which with its seed of relativism, nihilism and anarchy disrupted Europe by overturning its ethical/moral values, cutting bridges with our millennial cultural heritage; but can art be such an important element, a cornerstone of society itself? We were taught that it is just a pleasant and creative pastime, not to be taken too seriously. What concrete consequences can art and its indirect ramifications have on society?
Elevated Art and Destructive Art
The Problem and the Solution
Western society, in continuous decline for years, is now reaching a general collapse; degeneration, madness, relativism and a deep, desperate nihilism have infected the cultural products consumed daily by blind citizens, who are unknowingly influenced and shaped by them. Cinematography, visual arts, music, literature, and media products… all these cultural sectors seem to have become fairy-tale poisoned apples, distributed with such innocent pretense by those once tasked with educating, guiding or simply entertaining us; it is the complete opposite of what academic culture and the Fine Arts proposed until the 1800s, before the Impressionist revolution that first shook traditional cultural institutions; the Fine Arts served as a Katéchon, a positive force that restrains evil.
Why do the arts and culture today seem to suggest everything we should avoid doing? Why does everything produced by art today seem to have become a vehicle for altered and degenerate messages, tools to divide us, to make us reject our cultural identity, to tempt and morally corrupt us? Why is everything that is dissolving the foundations of our civilization being promoted and idolized? Who benefits from this?
The social fabric has demonstrably crumbled, individualism and egoism reign: depression, drug and psychotropic use, unhealthy entertainment and irresponsible hedonism, immorality, idiocy and perversion run rampant; all this is justified and promoted from above as if it were a matter of pride and a new Western value (the new democracy and “freedom”)… and unaware individuals, enslaved by the means of dissemination, throw themselves headlong into this “pompa diaboli”, this “panem et circenses”, in a desperate attempt to do and do, consume and consume, experience to the point of nausea, trying to fill an existential void that seems never to be filled, except temporarily, before this abyss within them digests everything, demanding even more shortly after; a deceptive industry of eternal entertainment, a carousel, so full of colorful, attractive artificial lights, capable of distracting us like nocturnal insects drawn into a deadly trap.
The cause of the West’s fall is before us and is what our senses consume and our minds process and absorb; the human being identifies with what surrounds them and what is narrated to them… the enormous narrative bubble in which we have all been immersed has demonized and stigmatized our glorious past, making us forget that just a century ago the world turned upside down with the Dadaist revolution and the modernity derived from it gave us everything except true well-being; our task will first be to burst this bubble and then to design together a glorious future, thanks to the many minds freed from media enslavement.
The solution is therefore to repair culture.
Pompa diaboli: the seductive, deceptive allure of modern cultural products that lead to moral and societal decay.
Panem et circenses: the superficial distractions and entertainments (like food and spectacles) used to pacify and distract the masses, preventing them from addressing deeper societal or existential issues.
My Book
After spending numerous years painstakingly delving into Art in all its ramifications and expressive modes, I have decided to transfer my acquired knowledge into this book, exploring in depth themes that can be considered controversial and astounding in the West.
Following an engaging narrative line that has been almost unexplored until today, putting together a vast cryptic puzzle, I have described from an unexpected perspective the history of classical and modern art that has shaped our civilization.
I have shown how historical events of the last centuries, apparently disconnected, were however coherent with a precise guiding thread and related to ancient and contemporary occult ideologies; certain power groups derived incredible benefits by promoting certain revolutionary, extremely subversive, and anarchic cultural avant-gardes, which contributed to the proliferation of modern ideology and the overthrow of political powers, leading, through a complex series of events, to the complete corruption of Western values, the demonization of academicism and the Fine Arts, with the nefarious consequence of indirectly bringing about the collapse of the West’s own social structure.
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(SOON AVAILABLE)
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Ebooks
New ebooks on the effective teaching of figurative arts will soon be available on the website; a simple, effective, and simultaneously academic approach to learning how to draw correctly.
A journey into one’s own mind, which will enrich the student with discipline, inner strength, and the ability to analyze reality, thereby acquiring the drawing technique suitable for mastering the expressive methods of the Fine Arts.
A complete and in-depth guide that explores the teaching of drawing from perspectives never navigated before.
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JOIN THE ART COURSES
Noting the flawed figurative methods commonly taught in Western public schools and “creative” art courses, many students become discouraged as they find modern teaching methods inapplicable, lacking the solid foundations built through strict discipline and years of genuine study.
There is now a widespread feeling that many teachers, explaining topics in class with second-hand theoretical explanations, do not actually know in practice what they instruct students to do. Today, this is a very common situation, as in modern Western society, the correct method of drawing and painting (not to mention the rest) is increasingly forgotten, giving way to a relativist mentality that claims everything is art, that beauty is subjective, that we are all artists, and that classical art is something no longer needed today, leaving full scope for uncontrolled creativity that leads to highly amateurish results.
Art has precise rules, methods that can only be acquired through targeted and precise exercises, paying attention to the strengths and weaknesses of each student, intervening proactively to correct and enhance their technical and expressive abilities.
If you are tired of this continuous devaluation and ridicule of the Fine Arts, which are no longer taken seriously even by the teachers themselves, you are in the right place, whether you are a student or an adult who has not yet had the opportunity in life to pursue their artistic passion.
Contact me through the form to join live, individual online drawing and painting lessons. I will guide you step by step in your artistic journey.
The time has come to save art; join the fight in favor of the Fine Arts and become a figurative artist.